'This film is available to license from our website at Huntley Film Archives, by searching for film 1001939 in our Film # search bar: https://www.huntleyarchives.com/ Hollywood fashions 1920\'s Two women sit in a smart living room and discuss the latest fashions. \"What do you think of the new long gowns?\", says one while she is handed a cup of tea and a napkin by the hostess. The door bell rings. Hostess goes to greet Natalie Kingston, an actress. The hostess and Natalie walk arm in arm. Natalie will answer all fashion questions. \"Natalie, you know Nora Lane?\" Natalie and Nora have worked together. Hostess sits Natalie down. Nora is just on her way to shop for some long gowns. Natalie has seen Monsieur Jacques on the Rue de la Pays, Paris. Flashback to Monsieur Jacques\' salon. He is a couture fashion designer. Four women sit as he stands and describes the clothes modelled by live models on a small stage. Perhaps he says, the dresses will be in Miss Kingston\'s next picture. A model appears in a dress and hat. The dress is floaty and when the jacket is removed, it is an evening gown. It is described as a Chanel adaptation. She twirls. A Patu adaptation is the next. Floaty again - a goddess skirt, long. A lace dress, belted, formal wear, most stunning in the Maggie Ruth (?) collection. Next a suit with black hat and clutch bag. Back to the sitting room. Monsieur Jacques\'s designs are marvellous, but do we really have to wear the long gowns. Yes, if we want to be the height of fashion. Miss Claire Windsor now models some more clothes. An orange suit with a scarf at the neck. A crepe dress and jacket. Matinee wear for afternoon tea! The latest thing for evening wear. An symmetric long black dress with high black gloves and white strings of pearls. A veiled hat. Huntley Film Archives is a film library holding tens of thousands of films. The large majority of the films are documentaries. Films cover a wide range of subjects and production dates range from the 1890’s to the 2020’s. As with all libraries we make no judgement on the content of our holdings and make them available for educational purposes for all to see. Films may have content or express opinions some may think inappropriate or offensive, but it is not the work of a library to censor educational resources. Films should be viewed with historical objectivity and within a context relevant to the times in which they were produced'
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